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Muse for poetry is floating all around us: Gulzar

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By Arundhuti Banerjee
Mumbai, Oct 15 (IANS) Whether it is illustrative thoughts on the moon or the allegory of the window in a concrete jungle, celebrated wordsmith Gulzar brings them up in all his poetry. He says the mind of a poet should be well-versed with reality to give creative thoughts a voice in poetry.

Born in Jhelum, now in Pakistan, Gulzar’s introduction to what is now the concrete jungle of Mumbai happened after the partition of 1947.

As he penned his feelings of city life for the song “Do deewane shahar mein” from the 1977 film “Gharonda”, he conveyed: “In bhoolbhulaiya galiyon mein/Apna bhi koi ghar hoga/Ambar pe khulegi khidki ya/Khidki pe khula ambar hoga.”

“Such imageries still hold a strong relevance in today’s time, in Mumbai city, isn’t it? Actually, you don’t have to go out of your way somewhere to find out an imagery to write poetry… Imageries are floating around us, take a glance,” Gulzar told IANS in a tete-a-tete here.

While dunking a biscuit in a tea cup, the 83-year-old industry veteran added: “For instance, the moon. It’s a subject that we all are fascinated with. Even as a poet, I wrote quite a lot on that, right? But an imagery of ‘Toota hua chand (broken moon)’ has come from my little daughter.”

“Rakhee (his estranged wife) used to sing lullabies to Boski (daughter Meghna Gulzar) on a full moon night and one day when Boski saw a half moon, she came to us saying, ‘Dekho, dekho, chand kaise toot gaya!’

“Now, for a regular person, a half moon is not broken, but for a little one, it is. Therefore, I believe all we express in words comes from the observation of reality. Our poetry is the reflection of how we pursue them,” Gulzar explained.

As for his latest work, Gulzar has penned lyrics of a set of eight songs for the album “Dil Peer Hai” composed by iconic singer-composer Bhupinder Singh. According to him, his long association with Singh has culminated in a good collaboration.

The combination has delivered popular songs like “Do deewane shahar mein”, “Ek akela is shahar mein”, “Beeti na beetai raina” and “Huzoor is kadar”, among others.

Sharing his experience of their creative collaboration, Gulzar said: “Yes, we have shared a long journey, not only in film songs but albums as well. And I think the creative understanding always culminates in music when we are collaborating.

“Mostly, I write the lyrics first and then Bhupi composes on it, but in this album I have composed the title song on a tune. Bhupi made me listen to the tune and the lyrics were made in five minutes.

“Kisiko batana nehi, kabhi kabhi aisa tukka kam kar jate hain (Don’t tell anyone, sometimes such a fluke works),” he said and smiled.

“Dil Peer Hai” is the debut album of Bhupinder and Mitali Singh’s music label Bhumittaal Music, a name coined by Gulzar.

Being a multi-talented personality, Gulzar has not only written lyrics but also made films like “Aandhi”, “Hu Tu Tu” and “Maachis”, apart from television series like “Mirza Ghalib” and “Jungle Book” (lyrics and dialogues).

Apart from his writing skills, he is known for reciting poetry in his magnetic voice. He has even published two audiobooks — “Rangeela Geedhad” and “Parwaaz”.

Talking about the impact of reciting one’s own poetry, the Sahitya Akademi Award recipient said: “You see, I am the mother of my poetries. They are born out of my imagination.”

“Therefore, whenever I recite my own poetry, the ‘X’ factor one talks about comes very naturally. It not only happens with my poetry but to all the creative people.

“For instance, a composition of Salil Chowdhury cannot have the same impact from the rendition by Lata Mangeshkar. There is no doubt that Lata is one of the finest singers and did justice to the compositions with the best of her ability, but not the one that Salil-da rendered.

“You get to see the same ‘X’ factor there because Salil-da is the mother of that composition. These differences remain… Always,” Gulzar maintained.

(Arundhuti Banerjee can be contacted at [email protected])

–IANS
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Casino Days Reveal Internal Data on Most Popular Smartphones

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CasinoDays India

International online casino Casino Days has published a report sharing their internal data on what types and brands of devices are used to play on the platform by users from the South Asian region.

Such aggregate data analyses allow the operator to optimise their website for the brands and models of devices people are actually using.

The insights gained through the research also help Casino Days tailor their services based on the better understanding of their clients and their needs.

Desktops and Tablets Lose the Battle vs Mobile

The primary data samples analysed by Casino Days reveal that mobile connections dominate the market in South Asia and are responsible for a whopping 96.6% of gaming sessions, while computers and tablets have negligible shares of 2.9% and 0.5% respectively.

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The authors of the study point out that historically, playing online casino was exclusively done on computers, and attribute thе major shift to mobile that has unfolded over time to the wide spread of cheaper smartphones and mobile data plans in South Asia.

“Some of the reasons behind this massive difference in device type are affordability, technical advantages, as well as cheaper and more obtainable internet plans for mobiles than those for computers,” the researchers comment.

Xiaomi and Vivo Outperform Samsung, Apple Way Down in Rankings

Chinese brands Xiaomi and Vivo were used by 21.9% and 20.79% of Casino Days players from South Asia respectively, and together with the positioned in third place with a 18.1% share South Korean brand Samsung dominate the market among real money gamers in the region.

 

CasinoDays India

Cupertino, California-based Apple is way down in seventh with a user share of just 2.29%, overshadowed by Chinese brands Realme (11.43%), OPPO (11.23%), and OnePlus (4.07%).

Huawei is at the very bottom of the chart with a tiny share just below the single percent mark, trailing behind mobile devices by Motorola, Google, and Infinix.

The data on actual phone usage provided by Casino Days, even though limited to the gaming parts of the population of South Asia, paints a different picture from global statistics on smartphone shipments by vendors.

Apple and Samsung have been sharing the worldwide lead for over a decade, while current regional leader Xiaomi secured their third position globally just a couple of years ago.

Striking Android Dominance among South Asian Real Money Gaming Communities

The shifted market share patterns of the world’s top smartphone brands in South Asia observed by the Casino Days research paper reveal a striking dominance of Android devices at the expense of iOS-powered phones.

On the global level, Android enjoys a comfortable lead with a sizable 68.79% share which grows to nearly 79% when we look at the whole continent of Asia. The data on South Asian real money gaming communities suggests that Android’s dominance grows even higher and is north of the 90% mark.

Among the major factors behind these figures, the authors of the study point to the relative affordability of and greater availability of Android devices in the region, especially when manufactured locally in countries like India and Vietnam.

“And, with influencers and tech reviews putting emphasis on Android devices, the choice of mobile phone brand and OS becomes easy; Android has a much wider range of products and caters to the Asian online casino market in ways that Apple can’t due to technical limitations,” the researchers add.

The far better integration achieved by Google Pay compared to its counterpart Apple Pay has also played a crucial role in shaping the existing smartphone market trends.

 

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