Entertainment
‘Ribbon’: Capturing rhythms of metropolitan life (Review)
By Subhash K. Jha
Film: “Ribbon”; Director: Raakhee Sandilya; Cast: Kalki Koechlin and Sumeet Vyas; Rating: ***1/2
And then, something happens. Something awful and irreversibly life-changing happens in this true life portrait of an urban marriage threatening to fall apart under the strain of coping with daily vicissitudes.
Debutant director Raakhee Sandilya uses her two principal actors to mirror metropolitan mores and meltdowns with masterful vigour and a scrupulous authenticity. The camera is used not to accentuate or glamourise Mumbai’s suburbia, but to simply serve as a functional topography for the lives of the couple Sahana and Karan played with such an absence of bravura and flourish that we forget Kalki and Sumeet are playing characters who don’t exist beyond the film.
At least not in the way we see them here.
The authenticity instilled into the couple’s lives is comparable with what Basu Bhattacharya achieved with Rajesh Khanna and Sharmila Tagore in the remarkable portrait of a marriage on the skids in “Avishkaar” 43 years ago.
Director Raakhee Sandilya’s protagonists are not played by stars and one of them has not been seen on the large screen before. Kalki and Sumeet penetrate the lives of their characters with an incredible alacrity. No time is wasted in bringing their lives as close to us as cinematically possible. We enter their lives without fuss or ceremony and we leave them just as quickly, with no room for farewells.
Sandilya strips the film of all vanity. There is very little background music to highlight even the highest summits of emotions in the narration, so that we get the feeling of an unpolished raw home video. Hurting and hurtful. Kalki plays the more aggressive partner. And why not? Early in the plot (if one may accuse this film of resorting to plotting devices), Sahana, well, she loses the plot when her seemingly supportive boss turns wary and hostile after she returns from her maternity leave.
The scenes of Sahana’s workplace politics make us flinch. Yup, this is what goes on when women workers get too big for their boots.
The sequences where the couple deal with their child’s hired nanny abound in the scent of lived-in familiarity. Every working couple silently suffers the tantrums of its house help. “Ribbon” is a subverted upturned take on all the family films we’ve seen in the 1960s and 1970s. If Jeetendra and Leena Chandavarkar in L.V. Prasad’s “Bidaai” were to set up home in Mumbai today, this is what they would have to deal with.
If “Ribbon” was not such a sharply aligned slice-of-life story, it would be a horror film, much in the same way that Daron Aronofsky’s “Mother” is. It is disturbing in its implied critique on the nuclear family where couples choose to keep their parents out. The last 30 minutes of the film is a separate beast, bound to serve up a wallop of shock disgust and despair in the audience as they watch the couple’s helpless attempts to keep their self-limited world from falling apart.
A lot of the scenes between the couple seem so spontaneous and unrehearsed, almost as if the lead pair walked into situations in the script that they had inherited from a couple who lived there before them. “Ribbon” captures the rhythms of metropolitan life with such a vehement repudiation of drama that I often forgot I was watching fiction.
“Ribbon” has its share of flaws. So relentless is the focus on the protagonists’ lives that we barely get a glimpse into the lives of the other (interesting but sketchy) characters, like Sahana’s friend or Karan’s father or the babysitter who evidently leads a life as adventurous as her employers, if not more.
But that, some other time.
–IANS
skj/rb/bg
Entertainment
Casino Days Reveal Internal Data on Most Popular Smartphones
International online casino Casino Days has published a report sharing their internal data on what types and brands of devices are used to play on the platform by users from the South Asian region.
Such aggregate data analyses allow the operator to optimise their website for the brands and models of devices people are actually using.
The insights gained through the research also help Casino Days tailor their services based on the better understanding of their clients and their needs.
Desktops and Tablets Lose the Battle vs Mobile
The primary data samples analysed by Casino Days reveal that mobile connections dominate the market in South Asia and are responsible for a whopping 96.6% of gaming sessions, while computers and tablets have negligible shares of 2.9% and 0.5% respectively.
The authors of the study point out that historically, playing online casino was exclusively done on computers, and attribute thе major shift to mobile that has unfolded over time to the wide spread of cheaper smartphones and mobile data plans in South Asia.
“Some of the reasons behind this massive difference in device type are affordability, technical advantages, as well as cheaper and more obtainable internet plans for mobiles than those for computers,” the researchers comment.
Xiaomi and Vivo Outperform Samsung, Apple Way Down in Rankings
Chinese brands Xiaomi and Vivo were used by 21.9% and 20.79% of Casino Days players from South Asia respectively, and together with the positioned in third place with a 18.1% share South Korean brand Samsung dominate the market among real money gamers in the region.
Cupertino, California-based Apple is way down in seventh with a user share of just 2.29%, overshadowed by Chinese brands Realme (11.43%), OPPO (11.23%), and OnePlus (4.07%).
Huawei is at the very bottom of the chart with a tiny share just below the single percent mark, trailing behind mobile devices by Motorola, Google, and Infinix.
The data on actual phone usage provided by Casino Days, even though limited to the gaming parts of the population of South Asia, paints a different picture from global statistics on smartphone shipments by vendors.
Apple and Samsung have been sharing the worldwide lead for over a decade, while current regional leader Xiaomi secured their third position globally just a couple of years ago.
Striking Android Dominance among South Asian Real Money Gaming Communities
The shifted market share patterns of the world’s top smartphone brands in South Asia observed by the Casino Days research paper reveal a striking dominance of Android devices at the expense of iOS-powered phones.
On the global level, Android enjoys a comfortable lead with a sizable 68.79% share which grows to nearly 79% when we look at the whole continent of Asia. The data on South Asian real money gaming communities suggests that Android’s dominance grows even higher and is north of the 90% mark.
Among the major factors behind these figures, the authors of the study point to the relative affordability of and greater availability of Android devices in the region, especially when manufactured locally in countries like India and Vietnam.
“And, with influencers and tech reviews putting emphasis on Android devices, the choice of mobile phone brand and OS becomes easy; Android has a much wider range of products and caters to the Asian online casino market in ways that Apple can’t due to technical limitations,” the researchers add.
The far better integration achieved by Google Pay compared to its counterpart Apple Pay has also played a crucial role in shaping the existing smartphone market trends.
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