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A festival comes of age, time to get over ‘darlings of social media’ (JLF Review)

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By Saket Suman
Jaipur, Jan 29 (IANS) Hollywood heartthrob Angelina Jolie had once expressed her disagreement over the age-old saying: “What doesnt kill you makes you stronger”, and had then quipped that “our experiences, good and bad, make us who we are. By overcoming difficulties, we gain strength and maturity”. The same stands true for the just- concluded Jaipur Literature Festival (JLF). An 11-year-old cultural gathering, the festival has now come of age and its impact is fast seeping into India’s cultural ethos.

If there is one thing that has been a constant companion of this annual gathering of writers and bibliophiles, it is its unpredictability. No matter how many editions of this festival one has attended, it is near to impossible to anticipate what waits the visitors. JLF never ceases to surprise and this “wow factor” is perhaps what keeps the interest of even the oldest of its visitors alive in the literary extravaganza.

But the journey has not been easy and, therefore, the consequential responsibility that lies on the shoulders of its organisers — Sanjoy Roy, Namita Gokhale and William Dalrymple — is equally noteworthy.

In a saga of difficult times when attacks on free speech are constant and the space for reasonable debate is fast shrinking, JLF stands out as an oasis of bliss amid a dreary desert where the public discourse has gone horribly wrong. Over the years, it has stood as a champion of free speech and has featured authors with death threats and bounties on their heads. With placards bearing false identities at airports, hotel bookings made under different names for “controversial” speakers often featuring in surprise sessions, the festival has stood true to its core values — and has even risked numerous arrest warrants and FIRs against its organisers.

On their part, the organisers have nver demurred and this will be forever recorded in the pages of India’s recent cultural history.

This 11th edition of JLF was no different as it featured sessions on wide-ranging topics and themes over the course of five days. Whether it was the creative genius of Amy Tan or the journalistic experience of Charlie English, all came to the fore during the event.

The festival, as Dalrymple described it, set up a “mini university” for thousands of its visitors and it can be aptly said that every one of them learnt something new. This year the orgganisers had booked 4,000-plus hotel nights to host over 500-plus speakers and over 178 musicians who participated in 205 sessions and 19 concerts of infectious music played morning and night. And still, managing to have the festival free for all visitors, solely funded by corporate sponsorships, is also commendable.

On the flip side, it cannot be denied that the festival has turned repetitive in some ways. Behind all glitz and euphoria associated with the event, the primary reason JLF is so successfull is its brilliant content, brought together by Gokhale and Dalrymple. And therefore when the “social media’s absolute darlings” – the likes of Shashi Tharoor, Amish Tripathi and Ashwin Sanghi – wax eloquently on what they do at dozens of similar events, it is but yesterday once more for most visitors – mundane, humdrum and a repetition of what they hear so often. This disappointment was heard clearly not only inside the premises of Diggi Palace but also on Twitter and other social media platforms this year.

Tharoor is undoubtedly a brilliant orator but what is his brilliance worth to the festival when he is going to sound the same bugle that he does at every single event? Sanghi’s new book will surely be a bestseller again but what else but disappointment can his session offer when he is going to chart the same anecdotes and analogies — “99 per cent luck and 1 per cent bloody good luck” and the likes — once again? And as if to suggest that hundreds of interviews and reviews of Tripathi’s last book wern’t enough, the festival hosted a session with him again – and for what purpose? The launch of a new cover of his last book! It would be just fine had Tripathi shared anything new, but none-at-all, whatsoever. A quick search on YouTube will reflect this monotonous saga more appropriately, for those with doubts.

It cannot be denied that celebrity speakers are huge crowd pullers and this may be the festival’s own way of first attracting new visitors by showing such celebrities and then keeping them engrossed in other sessions that take place simultaneously, but there is no greater disappointment than the moments when one sees his expectations shatter before his eyes. The so-called bestselling Indian writers at this year’s edition did just that.

The festival may also reconsider some of its regular moderators who, mildly put, deviate from the given theme, even to the disgust of noted speakers at many occasions.

JLF should also understand that with success comes equal responsibility and even as one salutes their commitment to free speech, it may seem a little too absurd for a writer to plainly boast that “the mystery of my novel is a result of whisky pegs” – with the presence of hundreds of young school children with their impressionable and vulnerable minds. But if one is going to prevent a writer from talking of liquor on stage, you may well one day demand that they do not write anything as such in their novels too.

There is no “Right-Wrong” answer to this, both assertions have their own merits and finding a balance between the two, in a way that both the writer and the visitor have their liberties as well as pride of place, is an area that organisers may wish to dwell in as they begin preparing for the next edition.

Jeet Thayil showed the way when he was asked to read a passage from his book, based on suicide. “I am not sure I should do this, there are many school kids here,” he said before giving out a spontaneous disclaimer on the act. The point is simply that most books cater to a certain demographic audience based on age. We have children’s novels, adult novels and so on but a festival like this breaks all such barriers, where a 7-year-old is seen sitting opposite his teenage sister, and just around the corner may be an elderly man, somewhere in his eighties.

These aside, JLF’s impact on India’s cultural ethos is clearly visible; culture and literature are fast seeping into both the habits and practises of the new India – and this annual gathering certainly has had a great role to play in bringing these aspects into the mainstream public discourse.

(Saket Suman attended the Zee Jaipur Literature Festival at the invitation of its organisers. He can be contacted at [email protected])

–IANS
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Casino Days Reveal Internal Data on Most Popular Smartphones

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CasinoDays India

International online casino Casino Days has published a report sharing their internal data on what types and brands of devices are used to play on the platform by users from the South Asian region.

Such aggregate data analyses allow the operator to optimise their website for the brands and models of devices people are actually using.

The insights gained through the research also help Casino Days tailor their services based on the better understanding of their clients and their needs.

Desktops and Tablets Lose the Battle vs Mobile

The primary data samples analysed by Casino Days reveal that mobile connections dominate the market in South Asia and are responsible for a whopping 96.6% of gaming sessions, while computers and tablets have negligible shares of 2.9% and 0.5% respectively.

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The authors of the study point out that historically, playing online casino was exclusively done on computers, and attribute thе major shift to mobile that has unfolded over time to the wide spread of cheaper smartphones and mobile data plans in South Asia.

“Some of the reasons behind this massive difference in device type are affordability, technical advantages, as well as cheaper and more obtainable internet plans for mobiles than those for computers,” the researchers comment.

Xiaomi and Vivo Outperform Samsung, Apple Way Down in Rankings

Chinese brands Xiaomi and Vivo were used by 21.9% and 20.79% of Casino Days players from South Asia respectively, and together with the positioned in third place with a 18.1% share South Korean brand Samsung dominate the market among real money gamers in the region.

 

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Cupertino, California-based Apple is way down in seventh with a user share of just 2.29%, overshadowed by Chinese brands Realme (11.43%), OPPO (11.23%), and OnePlus (4.07%).

Huawei is at the very bottom of the chart with a tiny share just below the single percent mark, trailing behind mobile devices by Motorola, Google, and Infinix.

The data on actual phone usage provided by Casino Days, even though limited to the gaming parts of the population of South Asia, paints a different picture from global statistics on smartphone shipments by vendors.

Apple and Samsung have been sharing the worldwide lead for over a decade, while current regional leader Xiaomi secured their third position globally just a couple of years ago.

Striking Android Dominance among South Asian Real Money Gaming Communities

The shifted market share patterns of the world’s top smartphone brands in South Asia observed by the Casino Days research paper reveal a striking dominance of Android devices at the expense of iOS-powered phones.

On the global level, Android enjoys a comfortable lead with a sizable 68.79% share which grows to nearly 79% when we look at the whole continent of Asia. The data on South Asian real money gaming communities suggests that Android’s dominance grows even higher and is north of the 90% mark.

Among the major factors behind these figures, the authors of the study point to the relative affordability of and greater availability of Android devices in the region, especially when manufactured locally in countries like India and Vietnam.

“And, with influencers and tech reviews putting emphasis on Android devices, the choice of mobile phone brand and OS becomes easy; Android has a much wider range of products and caters to the Asian online casino market in ways that Apple can’t due to technical limitations,” the researchers add.

The far better integration achieved by Google Pay compared to its counterpart Apple Pay has also played a crucial role in shaping the existing smartphone market trends.

 

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