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Get over yourself for Indian cinema’s progress: KJo to filmmakers

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By Natalia Ningthoujam
New Delhi, Feb 18 (IANS) Filmmaker Karan Johar is bursting with pride as he is representing Indian cinema at the prestigious Berlin International Film Festival. He feels that to achieve a global impact and for Indian cinema to progress, fellow filmmakers need to go beyond themselves and focus on the industry.

The Ministry of Information and Broadcasting in partnership with Confederation of Indian Industry (CII) is participating at the European Film Market from February 16-18 in Berlin. The Indian delegation, which also consists of filmmakers like Jahnu Barua and Shaji Karun, is being led by Karan.

“I am having a great time. This is a fantastic coming together of people and exploring possibilities of what we can do with Europe. This is like the beginning of a new era in cinema. I am glad that the Ministry of Information and Broadcasting is supporting the cause with CII to make sure that we have this kind of global interaction,” Karan told IANS over phone from Berlin.

While he is excited about his presence there, some of the netizens are not. They thought that “Padmaavat” director Sanjay Leela Bhansali would have been a better fit.

Asked about the haters on social media, the “Kuch Kuch Hota Hai” director said: “I would be happy if Sanjay Leela Bhansali was here as well or anybody else. I have always quietly done my own thing whether it is speaking at colleges or attending World Economic Forum Annual Meeting in Davos or film festivals in places like Toronto.”

“I will do my own thing, no matter what people say. There will always be haters on social media but I am one of those few filmmakers who has spoken about Indian cinema on a global platform. I never talk about myself there. I talk about what I represent.”

In fact, Karan says he would be happy if Indian filmmakers like Rajkumar Hirani or Bhansali travelled to different places and spoke about Indian cinema.

But at a time of digital boom, how important is it to have an Indian presence at international film festivals?

“It is very critical. Many filmmakers travel but we need more of mainstream voices. There is no way that we can achieve that global impact, if we just think about ourselves.

“You have to look at the industry as a holistic force, and not as an individual’s work. We tend to do only that. We have to get over ourselves and go beyond ourselves if we need our cinema to progress the way it has to,” he said.

Karan shared that he moderated a panel at the ongoing Berlin International Film Festival.

“We discussed that we are open for business and we also spoke about how Indian cinema has come of age… the new age content. Indian filmmakers are pushing the envelope. There are misconceptions around Indian cinema that has time and again been proven wrong in the last decade and beyond… that we are not just a song and dance filmmaking nation.

“Someone asked me ‘Are you still running around trees’? I am like these misconceptions are almost annoying now because many films have broken new ground and are continuing to leave an impact in Europe,” said the owner of the popular banner Dharma Productions.

Sharing examples, he said: “Films like ‘The Lunchbox’ did phenomenally well in Europe, what’s happening in China with Aamir Khan’s film ‘Dangal’, and a Telugu film like ‘Baahubali’ which went about breaking new grounds. There are several films that are being spoken about.

“We have an official selection (at Berlin) of a film called ‘Garbage’ by Q. It’s really exciting. I think many more films should go to festivals in Berlin, Cannes and Toronto. We have to constantly up the game in terms of global participation.”

But the audience often sees a gap between Hindi cinema and film festivals.

“I think that the gap is reducing. There’s always alternate and mainstream. These divides are just made as ‘terminology divide’. For example, ‘Newton’ is a wonderful human story. If you see ‘Dangal’, which is a huge commercial success, is a lovely human saga.

“These are parameters that we make that ‘this is an art house or this is commercial’. No, these are films with stories. If they are beautiful, they will connect with the audience irrespective of whether it is at a festival or cinema hall.”

(Natalia Ningthoujam can be contacted at [email protected])

–IANS
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Casino Days Reveal Internal Data on Most Popular Smartphones

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CasinoDays India

International online casino Casino Days has published a report sharing their internal data on what types and brands of devices are used to play on the platform by users from the South Asian region.

Such aggregate data analyses allow the operator to optimise their website for the brands and models of devices people are actually using.

The insights gained through the research also help Casino Days tailor their services based on the better understanding of their clients and their needs.

Desktops and Tablets Lose the Battle vs Mobile

The primary data samples analysed by Casino Days reveal that mobile connections dominate the market in South Asia and are responsible for a whopping 96.6% of gaming sessions, while computers and tablets have negligible shares of 2.9% and 0.5% respectively.

CasinoDays India

The authors of the study point out that historically, playing online casino was exclusively done on computers, and attribute thе major shift to mobile that has unfolded over time to the wide spread of cheaper smartphones and mobile data plans in South Asia.

“Some of the reasons behind this massive difference in device type are affordability, technical advantages, as well as cheaper and more obtainable internet plans for mobiles than those for computers,” the researchers comment.

Xiaomi and Vivo Outperform Samsung, Apple Way Down in Rankings

Chinese brands Xiaomi and Vivo were used by 21.9% and 20.79% of Casino Days players from South Asia respectively, and together with the positioned in third place with a 18.1% share South Korean brand Samsung dominate the market among real money gamers in the region.

 

CasinoDays India

Cupertino, California-based Apple is way down in seventh with a user share of just 2.29%, overshadowed by Chinese brands Realme (11.43%), OPPO (11.23%), and OnePlus (4.07%).

Huawei is at the very bottom of the chart with a tiny share just below the single percent mark, trailing behind mobile devices by Motorola, Google, and Infinix.

The data on actual phone usage provided by Casino Days, even though limited to the gaming parts of the population of South Asia, paints a different picture from global statistics on smartphone shipments by vendors.

Apple and Samsung have been sharing the worldwide lead for over a decade, while current regional leader Xiaomi secured their third position globally just a couple of years ago.

Striking Android Dominance among South Asian Real Money Gaming Communities

The shifted market share patterns of the world’s top smartphone brands in South Asia observed by the Casino Days research paper reveal a striking dominance of Android devices at the expense of iOS-powered phones.

On the global level, Android enjoys a comfortable lead with a sizable 68.79% share which grows to nearly 79% when we look at the whole continent of Asia. The data on South Asian real money gaming communities suggests that Android’s dominance grows even higher and is north of the 90% mark.

Among the major factors behind these figures, the authors of the study point to the relative affordability of and greater availability of Android devices in the region, especially when manufactured locally in countries like India and Vietnam.

“And, with influencers and tech reviews putting emphasis on Android devices, the choice of mobile phone brand and OS becomes easy; Android has a much wider range of products and caters to the Asian online casino market in ways that Apple can’t due to technical limitations,” the researchers add.

The far better integration achieved by Google Pay compared to its counterpart Apple Pay has also played a crucial role in shaping the existing smartphone market trends.

 

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