Entertainment
‘Golmaal Again’: Guffaws galore (IANS Review, Rating: ***)
By Troy Ribeiro
Film: “Golmaal Again”; Director: Rohit Shetty; Cast: Ajay Devgn, Arshad Warsi, Tabu, Kunal Kemmu, Shreyas Talpade, Tusshar Kapoor, Parineeti Chopra, Johnny Lever, Sanjay Mishra, Sachin Khedekar, Mukesh Tiwari, Neil Nitin Mukesh, Prakash Raj, Rating: ***
When you go to watch a Rohit Shetty film, especially the “Golmaal” series, you expect magic on screen, not logic. The magic of entertainment, albeit, sans rationality.
“Golmaal Again”, the fourth of the series, is a laugh-a-minute comedy about five orphans who are brought up in the Jamnadas Orphanage in Ooty. Madhav (Arshad Warsi), Lucky (Tusshar Kapoor), Laxman (Kunal Kemmu), are constantly at loggerheads with Gopal (Ajay Devgn) and Laxman (Shreyas Talpade), as Gopal is petrified of darkness and ghosts and the three of them love to take advantage of his fears and annoy him.
He, in turn, is hot-headed and gets angry easily leading him getting involved in scuffles.
Fed up, he along with his devoted friend Laxman decide to leave the orphanage. They become two rival gangs when they grow up as they have parted ways in childhood. However, owing to a common cause of avenging the wrong done to a fellow inmate, Khushi (Parineeti Chopra) whom they are all fond of, they all get together once again. This essentially forms the crux of this two and a half hour roller-coaster ride of comedy, adventure, thrills and drama.
Narrated from the point of view of Anna Mathew (Tabu), a librarian who can see ghosts and knows these five orphans and their friend Khushi from their orphanage days, the film is revealed in a non-linear manner.
Over-the top comedy, fast-paced action sequences, colourful locales, witty dialogues replete with puns and innuendoes, spontaneous performances, are what really engage you in this over-stretched film. There is entertainment galore and the situations, though devoid of reality, evoke constant laughter.
Director Rohit Shetty succeeds in creating a make-believe fantasy world with candy floss, lots of gloss and imaginary characters once again and engages you completely.
Ajay Devgn as Gopal is his usual self and has moments when he shines, but is not outstanding. One has seen him do better. It is Shreyas Talpade as Laxman who steals the thunder from the gang with his lisp and consistently funny demeanour.
Arshad Warsi as Madhav is expectedly competent but adds nothing to his character. Kunal Kemmu as the other Laxman is a treat to watch and his energy brings alive his character on screen. Tusshar Kapoor as Lucky stands out in the scene where he is infused with Nana Patekar’s spirit, else with his typical “aaaye ae ae aii ou,” he is in his oft-seen avatar.
Tabu as Anna Mathew is staid and restrained, and her character does not do justice to her as an actor. Parineeti Chopra as Khushi looks pretty and fits well into the film, although she has nothing much to offer by way of histrionics. Again, it is the script perhaps which limits her.
Johnny Lever as always, is his talented and versatile self and even Vrajesh Hirjee as Cobra is an extension of his earlier character in the “Golmaal” editions.
The camaraderie and comic-timing of the actors apart, it is the writing that stands out. Whether it is punning on words, films, songs or even Nana Patekar’s mimicry, the script keeps you tickled sufficiently, even though some of the situations seem trite and gimmicky. Particularly worth mentioning is the lullaby “Jamnalal Ka Nandlala, Laxman ka Gopala hai” sung by Laxman (Shreyas Talpade), which is hilarious.
The music is not extraordinary as there are lots of remixes and it is merely a deliberate attempt at giving the viewer a musical break.
Cinematographer Jomon T. John’s lens capture Ooty as well as the candy floss sets with accuracy and precision, making the viewer long to be there.
The background score has been effectively used to enhance the eerie and thrilling moments in the film.
Overall, “Golmaal Again” is one of the better editions of the series. It definitely revives your interest in the franchise.
–IANS
troy/rb/bg
Entertainment
Casino Days Reveal Internal Data on Most Popular Smartphones
International online casino Casino Days has published a report sharing their internal data on what types and brands of devices are used to play on the platform by users from the South Asian region.
Such aggregate data analyses allow the operator to optimise their website for the brands and models of devices people are actually using.
The insights gained through the research also help Casino Days tailor their services based on the better understanding of their clients and their needs.
Desktops and Tablets Lose the Battle vs Mobile
The primary data samples analysed by Casino Days reveal that mobile connections dominate the market in South Asia and are responsible for a whopping 96.6% of gaming sessions, while computers and tablets have negligible shares of 2.9% and 0.5% respectively.
The authors of the study point out that historically, playing online casino was exclusively done on computers, and attribute thе major shift to mobile that has unfolded over time to the wide spread of cheaper smartphones and mobile data plans in South Asia.
“Some of the reasons behind this massive difference in device type are affordability, technical advantages, as well as cheaper and more obtainable internet plans for mobiles than those for computers,” the researchers comment.
Xiaomi and Vivo Outperform Samsung, Apple Way Down in Rankings
Chinese brands Xiaomi and Vivo were used by 21.9% and 20.79% of Casino Days players from South Asia respectively, and together with the positioned in third place with a 18.1% share South Korean brand Samsung dominate the market among real money gamers in the region.
Cupertino, California-based Apple is way down in seventh with a user share of just 2.29%, overshadowed by Chinese brands Realme (11.43%), OPPO (11.23%), and OnePlus (4.07%).
Huawei is at the very bottom of the chart with a tiny share just below the single percent mark, trailing behind mobile devices by Motorola, Google, and Infinix.
The data on actual phone usage provided by Casino Days, even though limited to the gaming parts of the population of South Asia, paints a different picture from global statistics on smartphone shipments by vendors.
Apple and Samsung have been sharing the worldwide lead for over a decade, while current regional leader Xiaomi secured their third position globally just a couple of years ago.
Striking Android Dominance among South Asian Real Money Gaming Communities
The shifted market share patterns of the world’s top smartphone brands in South Asia observed by the Casino Days research paper reveal a striking dominance of Android devices at the expense of iOS-powered phones.
On the global level, Android enjoys a comfortable lead with a sizable 68.79% share which grows to nearly 79% when we look at the whole continent of Asia. The data on South Asian real money gaming communities suggests that Android’s dominance grows even higher and is north of the 90% mark.
Among the major factors behind these figures, the authors of the study point to the relative affordability of and greater availability of Android devices in the region, especially when manufactured locally in countries like India and Vietnam.
“And, with influencers and tech reviews putting emphasis on Android devices, the choice of mobile phone brand and OS becomes easy; Android has a much wider range of products and caters to the Asian online casino market in ways that Apple can’t due to technical limitations,” the researchers add.
The far better integration achieved by Google Pay compared to its counterpart Apple Pay has also played a crucial role in shaping the existing smartphone market trends.
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