Entertainment
Inclusiveness without sectarian barriers true spirit of India: Big B (Lead)
Kolkata, Nov 10 (IANS) Megastar Amitabh Bachchan on Friday inaugurated the 23rd Kolkata International Film Festival (KIFF), highlighting how unity in diversity and national integration are reflected in music in Indian cinema. National Award winning filmmaker Mahesh Bhatt appealed to storytellers to retain originality emphasising “lifeblood of entertainment is the right to free speech”.
Speaking about collaborations of Hindu and Muslim artistes in the Indian playback industry, Amitabh spotlighted the true spirit of India: inclusivity without sectarian barriers.
“Since times immemorial, music and songs in Indian films have found its strength, its voice in our cinema. It has embraced the spirit of unity in diversity, encouraged secular, patriotic and social ideas, showcased India’s wonderful culture and given us our unique identity,” he said in the opening speech.
Tracing the influences of regional music in Indian cinema, the 75-year-old actor spoke about the “indelible” effect of music from West Bengal as also the importance of South Indian Carnatic music, the Lavni of Maharashtra, the Lohri and Bhangra from Punjab, the folk songs of Uttar Pradesh and Rajasthan, the nautanki music of Bihar and the vibrant Garbha of Gujarat in Indian cinema.
“Thus, our films in all their diversity have united us as Indians beyond petty regional prejudices,” he said.
Drawing attention to the fact that music has been a regular feature in Indian films right from the birth of Indian talkies in 1931, Big B spoke about the emphasis on equality and freedom as also the role of music in challenging social vice.
“Often, Hindi films have emphasised democratic values of equality and freedom… most of us are aware of patriotic film songs like ‘Mere desh ki dharti’, ‘Nanha munna rahi hun’ …. and several others.
“The first patriotic ballad that took the country by storm was the superhit number ‘Door haton duniya walon Hindustan hamara hai’ from the Ashok Kumar starrer ‘Kismat’ way back in 1943 when such tracks were banned by the British Raj,” he said.
However, he stressed “the most egalitarian and important aspect of Indian films is reflected in the fact that several Muslim composers have set to tune bhajans eulogising Hindu gods and goddesses”.
Naushad’s “Madhuban mein Radhika nache re” from “Kohinoor” is one such glowing example, he pointed out.
“Here is a Hindu bhajan composed by a Muslim, rendered also by a Muslim (Mohammed Rafi), the divine lyrics written by a Muslim poet (Shakeel Badayuni). What could be a better example of integration and amity,” he asked.
“I am a proud Indian, an Indian that has lived in the era when Mohammed Rafi sang the song whose lyrics were written by Shakeel Badayuni, composed by Naushad and Dilip Kumar enacted them in completely fearless and secular situations often played by Hindu protagonists.”
Citing examples from the works of Sahir Ludhianvi and Javed Akhtar, Amitabh lauded the “continued inclusiveness” of the film industry “without sectarian barriers.”
“This then, is the true spirit of India.. the abiding lessons of our culture where humanity and empathy reign supreme, where love for our fellowmen and respect for all religions are the many-splendoured threads that weave our priorities without prejudice,” he said.
Bhatt said: “Stories can either bring us together or throw us apart. It is very important that story tellers retain the right to be story busters because power centres insist that they put weight on us and make us tell their story We must fight them and retain our originality and see the world and interpret the world as we experience them for that is the right lifeblood of entertainment is the right to free speech and our founding fathers have given us that. Let us never never lose that.”
Bhatt also praised the introduction of a category devoted to films in rare Indian languages.
British filmmaker Michael Winterbottom, superstar Shah Rukh Khan and Bollywood actress Kajol were also present at the opener.
Iranian film maker Mostafa Taghizadeh’s “Yellow” was screened signalling the start of the event.
The festival will screen an assemblage of 143 films spanning 53 countries under 16 different categories till November 17.
–IANS
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Entertainment
Casino Days Reveal Internal Data on Most Popular Smartphones
International online casino Casino Days has published a report sharing their internal data on what types and brands of devices are used to play on the platform by users from the South Asian region.
Such aggregate data analyses allow the operator to optimise their website for the brands and models of devices people are actually using.
The insights gained through the research also help Casino Days tailor their services based on the better understanding of their clients and their needs.
Desktops and Tablets Lose the Battle vs Mobile
The primary data samples analysed by Casino Days reveal that mobile connections dominate the market in South Asia and are responsible for a whopping 96.6% of gaming sessions, while computers and tablets have negligible shares of 2.9% and 0.5% respectively.
The authors of the study point out that historically, playing online casino was exclusively done on computers, and attribute thе major shift to mobile that has unfolded over time to the wide spread of cheaper smartphones and mobile data plans in South Asia.
“Some of the reasons behind this massive difference in device type are affordability, technical advantages, as well as cheaper and more obtainable internet plans for mobiles than those for computers,” the researchers comment.
Xiaomi and Vivo Outperform Samsung, Apple Way Down in Rankings
Chinese brands Xiaomi and Vivo were used by 21.9% and 20.79% of Casino Days players from South Asia respectively, and together with the positioned in third place with a 18.1% share South Korean brand Samsung dominate the market among real money gamers in the region.
Cupertino, California-based Apple is way down in seventh with a user share of just 2.29%, overshadowed by Chinese brands Realme (11.43%), OPPO (11.23%), and OnePlus (4.07%).
Huawei is at the very bottom of the chart with a tiny share just below the single percent mark, trailing behind mobile devices by Motorola, Google, and Infinix.
The data on actual phone usage provided by Casino Days, even though limited to the gaming parts of the population of South Asia, paints a different picture from global statistics on smartphone shipments by vendors.
Apple and Samsung have been sharing the worldwide lead for over a decade, while current regional leader Xiaomi secured their third position globally just a couple of years ago.
Striking Android Dominance among South Asian Real Money Gaming Communities
The shifted market share patterns of the world’s top smartphone brands in South Asia observed by the Casino Days research paper reveal a striking dominance of Android devices at the expense of iOS-powered phones.
On the global level, Android enjoys a comfortable lead with a sizable 68.79% share which grows to nearly 79% when we look at the whole continent of Asia. The data on South Asian real money gaming communities suggests that Android’s dominance grows even higher and is north of the 90% mark.
Among the major factors behind these figures, the authors of the study point to the relative affordability of and greater availability of Android devices in the region, especially when manufactured locally in countries like India and Vietnam.
“And, with influencers and tech reviews putting emphasis on Android devices, the choice of mobile phone brand and OS becomes easy; Android has a much wider range of products and caters to the Asian online casino market in ways that Apple can’t due to technical limitations,” the researchers add.
The far better integration achieved by Google Pay compared to its counterpart Apple Pay has also played a crucial role in shaping the existing smartphone market trends.
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