Entertainment
Want to shock, disturb people with my work: Filmmaker Q (IANS Interview)
By Sugandha Rawal
New Delhi, Feb 19 (IANS) His films don’t release in a theatre near you, and neither does he think they’re meant to be enjoyed with cola and popcorn.
Director Qaushiq Mukherjee, aka Q, dubbed as India’s most dangerous filmmaker by CNN, says he looks at cinema as an information device, and wants to “create some sort of physical disturbance” in the conscience of his audience.
Known for films like “Gandu” and “Tasher Desh”, Q — who is excited about his film “Garbage” becoming the only Indian movie at the Panorama section of the 68th Berlin International Film Festival this year — says he is not in the industry for entertainment.
“Garbage” will have the world premiere on February 21 at the ongoing Berlin International Film Festival.
“My whole idea is to shock people, to stun you or create some sort of physical disturbance in your conscience while you encounter my work. Cinema in India is looked as an entertainment device. I don’t look at it like that,” Q told IANS over the phone from Mumbai, before leaving for Berlin.
“Cinema is an information device for me, a communication device. And I have to not only counter people’s ideas of cinema but also counter the crores and crores of marketing money that goes into proliferating bullshit and filling the mind of people and sort of crowding their mind with bullshit data,” he said.
Q said that “in order to clear through that and have any kind of impact, I would have to do something really outrageous and I would do that. That is just a communication strategy and nothing else and the form that I practice is shock cinema.”
Is having the title of being India’s most dangerous filmmaker a challenge?
“I don’t really look at it that way. Like even the danger factor, the dangerousness is in the eyes of a certain set of people who are not privy to the kind of image or this kind of positioning,” he added.
Q picks hard-hitting and off-beat subjects and doesn’t shy away from breathing life to his stories by delving into the world of sex and abuses. Bengali-language films “Gandu”, “Tasher Desh” and “Ludo” being cases in point. He has also made sex comedy “Brahman Naman” for Netflix.
“I am not a traditional filmmaker and my films are not going to play in a theatre near you, because that is not my deal and not my world. I don’t want people to have a Coke or Pepsi while watching my film,” the director said.
Delving more on his idea of cinema, he said: “Traditionally, people look at cinema as a community entertainment thing. Many people sitting together and sharing a sort of a fantastic ride… That was cinema blockbuster idea. I have never watched that kind cinema and I am not aiming for that.”
Q said he got interested in the film world because of a certain kind of cinema which was “very personal”.
“I watched it alone because normally you wouldn’t get that kind of films over here (in India) because nobody distributes them,” he said.
“Gandu” was not released in India, and Q is not hesitant to admit that his film “Garbage” — a story about Phanishwar, a taxi driver in Goa, who lives with a mysterious girl whom he keeps in chains — will also face trouble in getting a clearance from the Central Board of Film Certification in India.
“Garbage” is produced by Shaailesh R Singh and Hansal Mehta of Karma Entertainment and Media LLP, and co-produced by Q.
Asked if he feels his talent is not as appreciated in India as in foreign shores, Q said: “A Turkish writer might be a legend, but you would not know as you don’t know Turkish. But that doesn’t take anything away from the person and the idea. I am always interested in artists that you didn’t know about.”
Q says “I will always drop things you don’t know about or have heard about. In my world, that is cool. I love that and I feel lucky to be able to find that.”
(Sugandha Rawal can be contacted at [email protected])
–IANS
sug/rb/hs
Entertainment
Casino Days Reveal Internal Data on Most Popular Smartphones
International online casino Casino Days has published a report sharing their internal data on what types and brands of devices are used to play on the platform by users from the South Asian region.
Such aggregate data analyses allow the operator to optimise their website for the brands and models of devices people are actually using.
The insights gained through the research also help Casino Days tailor their services based on the better understanding of their clients and their needs.
Desktops and Tablets Lose the Battle vs Mobile
The primary data samples analysed by Casino Days reveal that mobile connections dominate the market in South Asia and are responsible for a whopping 96.6% of gaming sessions, while computers and tablets have negligible shares of 2.9% and 0.5% respectively.
The authors of the study point out that historically, playing online casino was exclusively done on computers, and attribute thе major shift to mobile that has unfolded over time to the wide spread of cheaper smartphones and mobile data plans in South Asia.
“Some of the reasons behind this massive difference in device type are affordability, technical advantages, as well as cheaper and more obtainable internet plans for mobiles than those for computers,” the researchers comment.
Xiaomi and Vivo Outperform Samsung, Apple Way Down in Rankings
Chinese brands Xiaomi and Vivo were used by 21.9% and 20.79% of Casino Days players from South Asia respectively, and together with the positioned in third place with a 18.1% share South Korean brand Samsung dominate the market among real money gamers in the region.
Cupertino, California-based Apple is way down in seventh with a user share of just 2.29%, overshadowed by Chinese brands Realme (11.43%), OPPO (11.23%), and OnePlus (4.07%).
Huawei is at the very bottom of the chart with a tiny share just below the single percent mark, trailing behind mobile devices by Motorola, Google, and Infinix.
The data on actual phone usage provided by Casino Days, even though limited to the gaming parts of the population of South Asia, paints a different picture from global statistics on smartphone shipments by vendors.
Apple and Samsung have been sharing the worldwide lead for over a decade, while current regional leader Xiaomi secured their third position globally just a couple of years ago.
Striking Android Dominance among South Asian Real Money Gaming Communities
The shifted market share patterns of the world’s top smartphone brands in South Asia observed by the Casino Days research paper reveal a striking dominance of Android devices at the expense of iOS-powered phones.
On the global level, Android enjoys a comfortable lead with a sizable 68.79% share which grows to nearly 79% when we look at the whole continent of Asia. The data on South Asian real money gaming communities suggests that Android’s dominance grows even higher and is north of the 90% mark.
Among the major factors behind these figures, the authors of the study point to the relative affordability of and greater availability of Android devices in the region, especially when manufactured locally in countries like India and Vietnam.
“And, with influencers and tech reviews putting emphasis on Android devices, the choice of mobile phone brand and OS becomes easy; Android has a much wider range of products and caters to the Asian online casino market in ways that Apple can’t due to technical limitations,” the researchers add.
The far better integration achieved by Google Pay compared to its counterpart Apple Pay has also played a crucial role in shaping the existing smartphone market trends.
Content provided by Adverloom